CINEMATICS SCHEMATICS

CINEMATICS SCHEMATICS

Thursday, July 21, 2005

About a Boy

Hugh Grant has never had a more perfect role. Grant plays a selfish, shallow bachelor in the British romantic comedy About A Boy. Directed by brothers Chris and Paul Weitz, this film follows him as he learns that being shallow will eventually leave him alone and depressed.
Grant’s life is changed not by a woman, but by a young boy, Nicholas Hout, wholives with an unbalanced, flower-child mother. Grant first meets the boy at a session for single parents. He pulls off the callous role well, without any feeling towards his numerous love interests.
Of course, since this is a predictable romantic comedy, Grant begins to mature and become more sensitive. Hout constantly shows up at his house, bugging Grant to do cool things and teach him stuff. Grant is uneager at first, but with the boy’s persistence, eventually begins to act as a father figure. He then tries to capitalize on his newfound maturity to gain the affections of single mom Rachel Weisz. The movie moves from a typical beginning to a sappy, everyone-is-a-winner end.
The film does have a certain charm. Hout is cute as the boy who teaches Grant about maturity. Toni Collette plays the zany role of Hout’s mother well. Grant seems at ease with the callous bachelor part, but when the film tries to get serious, he looks out of place. The good new for audiences is that the film rarely tries to probe too deeply, albeit with a suicide attempt that seems out of place. For the most part, it remains predictable and cute, just another date movie on the cinematic landscape.

Friday, July 8, 2005

The Life of David Gale

Capital punishment remains one of the most controversial political subjects in the country, but if you’re looking for insightful commentary, The Life of David Gale may be a disappointment. Kevin Spacey’s 2003 film is suspenseful and engaging, but lacking in political depth. I hadn't seen this, but wanted to familiarize myself with all of Spacey's work.
Spacey stars as David Gale, a Texas college professor and anti-death penalty activist. Ironically, he sits on death row after being convicted of murder. His alleged victim, played by Laura Linney, is a friend and fellow activist. The story begins when he agrees to an interview with famed reporter Bitsey Bloom, ably managed by Kate Winslet. During the week before his execution, Gale must convince Bloom that he has been framed. Much of the film consists of flashbacks to the time before the murder. As Gale discloses his story, Bloom starts to believe him and the suspense rises. Bloom’s discoveries lead to a shocking finish.
Director Alan Parker chooses to focus more on the suspense and the shock surrounding the murder mystery, rather than on the controversial subject of capital punishment. Because of this, the movie plays out like a typical thriller, not something probing like Dead Man Walking. Still, it has its philosophical moments, and the acting shines. Spacey carries a lot of the movie on his portrayal of the main character, and as he’s shown before, he is up to the task. Linney performs well as his friend and alleged victim. The Life of David Gale is undoubtedly captivating and entertaining, but on a different level than what one might expect in a film about capital punishment.